Architects of Fate

The Builders by Henry Wadsworth Longfellow

All are architects of Fate,
Working in these walls of Time;
Some with massive deeds and great,
Some with ornaments of rhyme.

Nothing useless is, or low;
Each thing in its place is best;
And what seems but idle show
Strengthens and supports the rest.

For the structure that we raise,
Time is with materials filled;
Our to-days and yesterdays
Are the blocks with which we build.

Truly shape and fashion these;
Leave no yawning gaps between;
Think not, because no man sees,
Such things will remain unseen.

In the elder days of Art,
Builders wrought with greatest care
Each minute and unseen part;
For the Gods see everywhere.

Let us do our work as well,
Both the unseen and the seen;
Make the house, where Gods may dwell,
Beautiful, entire, and clean.

Else our lives are incomplete,
Standing in these walls of Time,
Broken stairways, where the feet
Stumble as they seek to climb.

Build to-day, then, strong and sure,
With a firm and ample base;
And ascending and secure
Shall to-morrow find its place.

Thus alone can we attain
To those turrets, where the eye
Sees the world as one vast plain,
And one boundless reach of sky.

Excerpt from The Rime of the Ancient Mariner by Samuel Taylor Coleridge:

PART VI

    First Voice:

‘ “But tell me, tell me! speak again.
Thy soft response renewing—
What makes that ship drive on so fast?
What is the Ocean doing?”

    Second Voice:

“Still as a slave before his lord,
The Ocean hath no blast;
His great bright eye most silently
Up to the Moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.”

    First Voice

“But why drives on that ship so fast,
Without or wave or wind?”

    Second Voice:

“The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.’

I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the Moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fix’d on me their stony eyes,
That in the Moon did glitter.

The pang, the curse, with which they died,
Had never pass’d away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapt: once more
I viewed the ocean green,
And look’d far forth, yet little saw
of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turn’d round, walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fann’d my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet if felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sail’d softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

O dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own countree?

....

I love this poem. It is about surviving a grievous error and making reparation; and it is done so beautifully. It is lyrically visual and exciting.